jama 262468 jmcvey
introduction of the jama262468 project (ca 2016) : link
the marked-up thumbnails : link
the (recently de-privatized) tumblr archive : link
here are reversible derivations of those derivations, in progress.
because of the (imperfect) way I have set up the lines in groups (stanzas?) of five, the ABC order of the phrases comes into view only by scrolling down.
this is an experiment in progress.
| ↕ | ↕ | |
|---|---|---|
| 468 | continuing the dilution still further | |
| 467 | from one side to the other | |
| 466 | with a tendency, blindness | |
| 465 | and then and the and this | |
| 464 | water, this hitherto unknown | |
| . | ||
| 463 | picture emotions whole | |
| 462 | islands, shadows, not necessarily a sign | |
| 461 | galvanic currents, osmic vapor | |
| 460 | sleeping theory, guesswork excess | |
| 459 | a breeze on the skin | |
| . | ||
| 458 | eponyms | |
| 457 | old age, old truths about | |
| 456 | like chalk | |
| 455 | of twists or kinks divided | |
| 454 | adjustment of the eyes | |
| . | ||
| 453 | exceptional instances | |
| 452 | quickening, quickening | |
| 451 | on the whole | |
| 450 | a jumble, anomalies of form | |
| 449 | four ways in which, ten questions only | |
| . | ||
| 448 | all the ’ologies how | |
| 447 | a standard blank | |
| 446 | and antecedents, or | |
| 445 | minor notes, open air | |
| 444 | on the, from the | |
| . | ||
| 443 | effusions done | |
| 442 | become, the essential points | |
| 441 | and of and other matter | |
| 440 | from the effects of (it is believed) | |
| 439 | of the air unknown | |
| . | ||
| 438 | over the edge, aviating again | |
| 437 | and nomenclature whether | |
| 436 | only windows, with letters | |
| 435 | by the side | |
| 434 | ventilation | |
| . | ||
| 433 | with regard to birds | |
| 432 | largely a compilation | |
| 431 | moving picture | |
| 430 | wells and springs | |
| 429 | Metaphysical Healing Home | |
| . | ||
| 428 | a tent-house Cosmos from abroad | |
| 427 | of the kind now in mind, its special field | |
| 426 | and the thousand and one things | |
| 425 | a mild current, a hitherto unknown | |
| 424 | a new theory of sorrow, more | |
| . | ||
| 423 | idiosyncrasy there may be, bluish given, slowed | |
| 422 | induration of the heart, the whole heart for a day or two | |
| 421 | leaves, these active principles of | |
| 420 | whirr, and backward | |
| 419 | and in the course of time | |
| . | ||
| 418 | somewhat indistinct, at times distinctly purring | |
| 417 | art, I can only say | |
| 416 | to say nothing of habits of life, his habits of life | |
| 415 | will never be seen | |
| 414 | under proper circumstances | |
| . | ||
| 413 | of known value, of doubt | |
| 412 | for they melt and only slightly detonate | |
| 411 | a sort of soliloquy, in an unknown tongue | |
| 410 | a scattering fire, a few matters | |
| 409 | in this they rarely fail | |
| . | ||
| 408 | no single cause, or some new | |
| 407 | idiosyncrasy, possibly | |
| 406 | could not walk | |
| 405 | found, showing | |
| 404 | no machine at hand. no machine at hand. | |
| . | ||
| 403 | of doubtful value, difficult to draw | |
| 402 | more baffling other | |
| 401 | shrunken too large | |
| 400 | direction, anchor, teeth | |
| 399 | at a loss to know | |
| . | ||
| 398 | theory of linen thread | |
| 397 | law of compensation | |
| 396 | the same pattern | |
| 395 | first the thickening | |
| 394 | wall, rather diffuse | |
| . | ||
| 393 | a slow one | |
| 392 | a hand, a place | |
| 391 | deeper than usual, being at a loss | |
| 390 | etc., last indexed | |
| 389 | affections the same way | |
| . | ||
| 388 | emanations local | |
| 387 | local syllables, later water | |
| 386 | at the first signs | |
| 385 | sudden, in the legs | |
| 384 | blues in the open air | |
| . | ||
| 383 | sound, so prolonged | |
| 382 | whose wall gave way | |
| 381 | the brighter side | |
| 380 | or even no | |
| 379 | if the opening is carefully made | |
| . | ||
| 378 | a thickening, a better term | |
| 377 | in all directions other words | |
| 376 | day to day, if not before | |
| 375 | in the morning exploration | |
| 374 | a broken compensation | |
| . | ||
| 373 | familiarity with bee-life | |
| 372 | with the exception of a few interpolations | |
| 371 | reciprocity | |
| 370 | intermediary islands | |
| 369 | o. details, abstract | |
| . | ||
| 368 | more, and the width of curves | |
| 367 | refractions of some idea | |
| 366 | a fire in its wake | |
| 365 | that is to say | |
| 364 | blind, appearing as | |
| . | ||
| 363 | dilation of the heart. driftwood. | |
| 362 | a life otherwise | |
| 361 | colors, of the remaining | |
| 360 | after eight days | |
| 359 | one part of the mind being contemplated by another | |
| . | ||
| 358 | grappling with the task | |
| 357 | elsewhere entirely | |
| 356 | an icy walk and a sun-parlor | |
| 355 | practical and theoretical lines | |
| 354 | relics of a more careless age | |
| . | ||
| 353 | specific affinity, the new régime | |
| 352 | noise and devastation, properly directed | |
| 351 | the only safe means | |
| 350 | echoes, drawn | |
| 349 | hypnotics, iron | |
| . | ||
| 348 | and photophobia, this was the beginning | |
| 347 | Don’t use glass pearls in the mixing jar. | |
| 346 | but a few words, a deep blue-black | |
| 345 | blue and other stains | |
| 344 | removal of a sewing-needle | |
| . | ||
| 343 | the practice of these figures, the combined action | |
| 342 | of the work that body made clear | |
| 341 | the abandonment of the idea | |
| 340 | an index needs but the simple | |
| 339 | from which the lingual springs | |
| . | ||
| 338 | gave rise to working backward | |
| 337 | on one side, on one spot | |
| 336 | from one to the other, but | |
| 335 | that the fall a rise, in the evening | |
| 334 | so perfectly a cure | |
| . | ||
| 333 | floating, failure of transition | |
| 332 | two or three grams of | |
| 331 | nothing | |
| 330 | so mingled these figures | |
| 329 | even this amount, a great wave | |
| . | ||
| 328 | by long usage small | |
| 327 | of other ways | |
| 326 | or in early days, the price | |
| 325 | sudden bursts of causality | |
| 324 | in curiosities known | |
| . | ||
| 323 | analogy more | |
| 322 | of the flow of, what is there left | |
| 321 | chance in a word | |
| 320 | in some, too | |
| 319 | or even in the hands | |
| . | ||
| 318 | so slight a doubt, but I have learned to rely on them | |
| 317 | any one of these | |
| 316 | the whole number, in a word | |
| 315 | rise and fall, the loss of | |
| 314 | isthmus persists | |
| . | ||
| 313 | a change in the voice | |
| 312 | scarcely any but the parts | |
| 311 | to obtain light | |
| 310 | tender points, movements of | |
| 309 | its source of origin, e | |
| . | ||
| 308 | best when early | |
| 307 | modern ideas, index of | |
| 306 | from before, and certain changes | |
| 305 | acquired barrier, passing practices | |
| 304 | so atypical as to go | |
| . | ||
| 303 | to walk about | |
| 302 | that cannot be brought into place | |
| 301 | various forms, the lesser curvature | |
| 300 | the lesser curvature again | |
| 299 | and out and back | |
| . | ||
| 298 | through and through, obscure cases of | |
| 297 | light of, in the light of | |
| 296 | whether it was real, stay | |
| 295 | leaves, in a minute’s time. so perfectly clear. | |
| 294 | hinged leaves and the like | |
| . | ||
| 293 | distinct lines a stage of latency yet | |
| 292 | wasted in useless description. only regrets. | |
| 291 | and 10 failed under, and 1 failed through | |
| 290 | eye, ear, reduced to the inorganic form at the proper time | |
| 289 | dose and value, the suddeness of onset | |
| . | ||
| 288 | no matter, changed by his surroundings worse | |
| 287 | writing it seemed, a few drams of water | |
| 286 | at his home in Bliss, at his home in Barren Fork | |
| 285 | of shore, or sweating in a small area, night work too | |
| 284 | the forward movement, that the labor is not harmless | |
| . | ||
| 283 | three out of eleven, one out of the twenty, habitable asphalt | |
| 282 | of open-air, in closer touch | |
| 281 | nuisances, with none of its past affiliations | |
| 280 | and the women warned | |
| 279 | for incurables, in the lower part | |
| . | ||
| 278 | of special rooms | |
| 277 | south. bend. | |
| 276 | the question of upkeep the old adage, drawing | |
| 275 | reading pages, as a rule, as before | |
| 274 | this one, the several, a cruelty rather than a kindness | |
| . | ||
| 273 | of any sort, as little is known | |
| 272 | notably two, found among found | |
| 271 | will often, of course, not | |
| 270 | with broken heart, in other words | |
| 269 | dimly drawn, a not infrequent cause | |
| . | ||
| 268 | a few lines, where lines of | |
| 267 | a tracing, the thought suggested itself | |
| 266 | as before. Lines as before. | |
| 265 | at least two. a series. | |
| 264 | in other words, a loopful | |
| . | ||
| 263 | once or twice, by accident more | |
| 262 | I feel mighty queer, and can hardly see. |
16 April 2023